Voyeurism and Hygiene in Degass monotype series The Bathers

Voyeurism and Hygiene in Degass monotype series The Bathers Natalie Samantha MurfinG14M2545"Using the above quotation, discuss Anthea Callan's notions of voyeurism and hygiene is Degas's monotype series The Bathers"AHVC 1Zamansele NseleI declare that this essay is my own wark and that all the sources I have used have been acknowledged by means of complete references._______________25/10/2014Nead states that to depict a body is to deal with "inescapable issues of representation" (Nead 1992). The depiction of nudes in art is considered by many to be a cornerstone of artistic practise - "The female body has become art" (Nead 1992: 19). Nudes are typically historically depicted in an austere and controlled manner, "contained within boundaries, conventions and poses" (Nead 1992: 11) so as to be considered 'appropriate' and without the associations of being "pornographic". Some works, however, break such representational conventions and thus, draw attention to the framework through which one views the nude.This essay aims to examine one of these bo dies of work - namely Degas's monotype series The Bathers - and highlight the notions of hygiene and voyeurism present therein.Degas's series of pastel and monotype drawings, The Bathers, was first exhibited in its entirety in France in 1877 (Callan, 1995: 72). The works were considered so controversial that "they elicited the largest single body of criticism on the artist's work" (Callan, 1995: 71). The works, small in size, depicted nude prostitutes in then-contemporary France over a large number of monotype plates (Callan, 1995: 72). Though prostitutes had typically been used as nude models in painting before this body of work, the nature of Degas's depiction of them challenged most accepted conventions of "nude painting" - the women in the works were "crossing the boundaries [] of cultural convention" (Callan, 1995: 139).Part of the...

Dealing With A Characters Internal Thoughts

Dealing With A Characters Internal Thoughts Dealing With A Characters Internal Thoughts Dealing With A Characters Internal Thoughts By Maeve Maddox Suzanne Ouimet writes: I have written several books which are dialogue driven. What I am wondering is how to express my characters thoughts. It gets a bit tiresome to keep saying something like he thought to himself. (who else would he be talking to anyway?) I have also tried putting the characters thoughts in italics or some other font. That too may be disruptive. Any suggestions? Anyone who writes fiction wrestles with the problem of how to convey a characters inner dialogue without distracting from the flow of the story. How not to do it Setting off a characters thoughts in quotation marks is a definite no-no. Such a technique is confusing to the reader. When we see quotation marks, we have the expectation that a character is speaking the words aloud. Some writers and writers guides do use or recommend italics to designate thoughts, but the device is distracting to many readers. Using a different font would make things worse. As Suzanne points out, adding to himself to he thought is redundant. How to do it Sometimes it is necessary to use he thought, or she wondered to avoid confusion, but such tags can be used sparingly. Here are some illustrations from Ellizabeth Georges mystery Deception on His Mind. In an early scene, in which Rachel and Shalah are together, Rachels thoughts are conveyed without any tags through four paragraphs. Then, as Rachel watches Shalah, a tag becomes necessary: Shalah made two more folds in the nappie and placed it on the pile at the end of the ironing board. She walked to the window and checked on her nephews. It seemed a needless thing to do, Rachel thought. They were sleeping like the dead. When a character is alone, no tags are needed to convey unspoken thoughts. Chapter 10 of Georges novel begins with internal dialog: When shed first made her escape from the jewellery shop, Rachel had only one destination in mind. She knew that she had to do something to mitigate the uneasy situation in which her actions had placed Sahlah, not to mention herself. The problem was that she wasnt sure what that something might be. She knew only that she had to act at once. This internal dialog continues without tags for about five pages before another character appears. In one place in her internal musings, Rachel recalls the words of a salesman. George puts the recalled words in quotation marks: She didnt want to think of the flat. Our very last one, the salesman had called it The Marshall Plan In his writing guide, Evan Marshall does recommend using italics to convey thought. I dont agree with this particular piece of advice, but overall, Marshalls guide is one of my writing bibles. If youre not familiar with The Marshall Plan for Novel Writing, check it out. The cover copy bills it as a 16-step program guaranteed to take you from idea to completed manuscript. In Step 11, Marshall talks about how to convey feelings, thoughts, and back story without slowing down the reader. Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Fiction Writing category, check our popular posts, or choose a related post below:Avoid Beginning a Sentence with â€Å"With†Connotations of 35 Words for Funny PeopleThe Difference Between e.g. and i.e.?